graceful lummox

fggtlibrarian: thenewwomensmovement: nosoytuchiste: I’m Not a...

Wed, 22 May 2013 16:40:15 -0700

thenewwomensmovement:

nosoytuchiste:

I’m Not a Joke is a campaign spreading awareness for the LGBTI community through art and design, created by Daniel Arzola (@Arzola_d) for the school of Visual Arts Rafael Monasterios in light of the recent violent acts against the sexually diverse community in Venezuela. It initially seeks to expand in the online community. If you’d like to share your opinion please do so via twitter using the hashtag #ImNotaJoke. Like our page on Facebook and share our designs to support our cause!

These are beautiful.

I like this!

headache

Wed, 22 May 2013 13:14:14 -0700

water, tylenol 3, a good meal, and some uber nutritional juice all didn’t even touch my headache. but then i masturbate and ta-dah it’s relieved (at least temporarily).

abstractelements: self-portrait 2012

Wed, 22 May 2013 11:20:08 -0700

abstractelements:

self-portrait 2012

likeafieldmouse: Francis Alys - Fabiola (2008) “The story of...

Wed, 22 May 2013 11:11:04 -0700

likeafieldmouse:

Francis Alys - Fabiola (2008)

“The story of St. Fabiola, a 4th-century Roman aristocrat from the Fabia family who is supposed to have been an early Mother Teresa, became popular in the late 19th century, and an 1885 portrait of her by a French academician (which is now lost) has since been endlessly copied around the world.

Appearing on postcards, posters and religious trinkets, Fabiola has been a beloved subject for countless painters, most of them amateurs. The portrait’s format is almost always the same: Fabiola is seen in profile facing left, her head covered by a rich red veil.

Mr. Alys, who was born in Belgium in 1959 and moved to Mexico City in 1990, began collecting Fabiola paintings—as the genre is called—about 15 years ago, buying them at thrift shops, flea markets and antiques stores primarily in Mexico and Europe. He has previously shown his collection three times, when it was much smaller; the current presentation includes more than 300 works.”

zeroing: Jim Cowan

Wed, 22 May 2013 11:08:25 -0700

zeroing:

Jim Cowan

Photo

Tue, 21 May 2013 19:53:44 -0700

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Tue, 21 May 2013 19:51:16 -0700

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Tue, 21 May 2013 19:48:54 -0700

manzardcafe: boots…

Tue, 21 May 2013 07:55:03 -0700

manzardcafe:

boots…

weareallprostitutesandjunkies: Diane Ladd Laura Dern Pattern...

Mon, 20 May 2013 14:14:24 -0700

weareallprostitutesandjunkies:

Diane Ladd Laura Dern

Pattern masturbation

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Mon, 20 May 2013 14:09:51 -0700

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Mon, 20 May 2013 11:48:54 -0700

Rikki Crowley by Jeremy Lucido

Mon, 20 May 2013 11:38:00 -0700

Rikki Crowley by Jeremy Lucido

motherjones: ellevish: Their Instruments May Be Garbage, But...

Mon, 20 May 2013 11:35:51 -0700

motherjones:

ellevish:

Their Instruments May Be Garbage, But the Music Will Bring Tears to Your Eyes

In a Paraguay slum, a children’s orchestra makes do with what it’s got—with inspiring results.

These kids are awesome.

Photo

Mon, 20 May 2013 09:31:38 -0700

nihilnovosubsole: Mobile Mirrors: Manequins Covered in Mirror...

Mon, 20 May 2013 09:27:20 -0700

nihilnovosubsole:

Mobile Mirrors: Manequins Covered in Mirror Shards by Lilibeth Cuenca Rasmussen

raunchster: Diogo. 24yo. Student. Lisbon, Portugal.

Sun, 19 May 2013 11:20:24 -0700

raunchster:

Diogo. 24yo. Student. Lisbon, Portugal.

Q: What would you call Jean Michel Basquiat if he suffered from erectile dysfunction? A: Limp...

Sun, 19 May 2013 10:20:10 -0700

Q: What would you call Jean Michel Basquiat if he suffered from erectile dysfunction?
A: Limp Basquiat

"Capitalism would have us believe that we only deserve to be here because of what we produce, and..."

Sun, 19 May 2013 10:06:38 -0700

““Capitalism would have us believe that we only deserve to be here because of what we produce, and even in our counter- cultures, even in our movements we reproduce the same idea. We only deserve to be here because of what we can produce that other people will buy with their money, time or attention. Our experience of our own lives is secondary, it is only the means of production, it is the products that matter, and unless we make ourselves into both factories and widgets we are not valuable.””

- Alexis Pauline Gumbs (via satyacake)

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Sat, 18 May 2013 19:27:25 -0700